New 4K Restoration – 55th Anniversary Screening
Q&A with Brandeis University Professor Thomas Doherty
Don’t miss this rare screening of one of cinema’s singular showstoppers. Revealing too much of the plot of Michael Roemer’s 1969’s The Plot Against Harry would spoil all the fun, satire, and surprises. All you need to know is that Harry Plotnick (Martin Priest), a New York racketeer just out of prison, tries to regain his lost neighborhood turf all while juggling his estranged ... view more »
New 4K Restoration – 55th Anniversary Screening
Q&A with Brandeis University Professor Thomas Doherty
Don’t miss this rare screening of one of cinema’s singular showstoppers. Revealing too much of the plot of Michael Roemer’s 1969’s The Plot Against Harry would spoil all the fun, satire, and surprises. All you need to know is that Harry Plotnick (Martin Priest), a New York racketeer just out of prison, tries to regain his lost neighborhood turf all while juggling his estranged ex-wife, grown children and ex-brother-in-law. What follows is a verité but slightly surreal world of Mafia barbecues, Kosher catering, call girls, bar mitzvahs, lingerie fashion shows, Cuban-Chinese mobsters, and much more. (Directed by Michael Roemer. USA, 1969)
“A high-water mark of American cinema. A jewel found in the grime of New York City.” – Screen Slate
“Neglected masterpiece…should have become an instant classic—of American Jewish cinema, of gangster movies, of film comedy, and of bold creativity on a low budget.” – The New Yorker
“Gives rampant ethnic nuttiness a distinctively wistful vulgarity… At once gritty and ethereal… Although The Plot Against Harry has been compared to John Cassavetes’s work, the director’s sensibility is far closer to Elaine May’s. Roemer’s satire of the Jewish urban middle class has its corollary in May’s The Heartbreak Kid.” – J. Hoberman, Premiere
“An ode to urban Jewish life and the joy and pain in the ass that is family. Robert Young, an experienced documentary cinematographer, gives the film a vérité feel, capturing the noisy, vernacular comedy in all its exuberant specificity. In moments, he lends the circus surrounding its protagonist a Fellini-esque grace.” – Chris Shields, Screen Slate
Screening at The National Center for Jewish Film’s Annual Film Festival
May 12 – 21, 2024
www.jewishfilm.org
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