The American Watercolor Movement Comes to Boston

Presented by Harvard Art Museums at Harvard Art Museums, Cambridge MA

Mar 26 - 29 2021

The American Watercolor Movement Comes to Boston

Join the discussion. Free and open to everyone.

Enthusiasm for watercolor painting swept the United States in the years after the founding of the American Watercolor Society in New York in 1866. Early proponents in the Boston area, including many women artists, were inspired by Ruskin, the Aesthetic Movement, and the rise of Impressionism. In this lecture, curator Kathleen A. Foster from the Philadelphia Museum of Art will discuss this early period of watercolor painting in Boston.

Led by:
Kathleen A. Foster, Robert L. McNeil, Jr., Senior ... view more »

Led by:
Kathleen A. Foster, Robert L. McNeil, Jr., Senior Curator of American Art, and Director, Center for American Art at the Philadelphia Museum of Art

This talk will take place online via Zoom. Free admission, but registration is required. To register, please complete this online form.

For instructions on how to join a meeting in Zoom, please click here. If you have any questions, please contact am_register@harvard.edu.

The Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs, please contact us at am_register@harvard.edu at least 48 hours in advance.

Support for the lecture is provided by the Ellen Wayles Randolph Coolidge Fund for American Art.

Kathleen A. Foster is the Robert L. McNeil, Jr., Senior Curator of American Art and director of the Center for American Art at the Philadelphia Museum of Art. With degrees from Wellesley and Yale, she has held curatorial posts at the Pennsylvania Academy of the Fine Arts and the Indiana University Art Museum, and has taught at Williams College, Temple, Indiana University, and the University of Pennsylvania, where she is currently an adjunct professor in the history of art. She has published on topics in American art from the late 18th century to the present, with a particular emphasis on the work of Thomas Eakins, including the prize-winning Thomas Eakins Rediscovered (1997), two essays in the catalogue for the Philadelphia Museum of Art’s Thomas Eakins (2001), the reconstruction of Eakins’s own drawing manual (2005), and the book An Eakins Masterpiece Restored: Seeing “The Gross Clinic” Anew (2012). Her most recent project at the PMA was the exhibition and book American Watercolor in the Age of Homer and Sargent (2017), with its affiliated research website. She is currently leading the museum’s team in planning an expansion of the American galleries, slated to open this spring.

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Join us on Zoom to discover haiku this spring, inspired by the Arnold Arboretum and the Harvard Art Museums exhibition Painting Edo: Japanese Art from the Feinberg Collection!

Haiku, a concise form of poetry that originated in Japan and was popularized during the explosively creative Edo period (1615–1868), has since been adopted around the world as a means of capturing the ways in which the natural world and humanity intersect. It is made up of just a few words that tell a story about what you see, what you think, or how you react to the world around you. Haiku offers a chance to slow down, look closely, and see from a different perspective.

In this lively program, professor David Atherton and curator Rachel Saunders will explore poetry and painting during the Edo period. Poet Sheryl White will look at how haiku has evolved as a contemporary creative practice in North America and will offer tips for writing your own haiku. Finally, professor David George Haskell will discuss how to awaken your senses to connect with nature and find words to capture the beauty of the world around you.

Speakers:
David Atherton, Assistant Professor of East Asian Languages and Civilizations, Harvard University

Rachel Saunders, Abby Aldrich Rockefeller Curator of Asian Art, Harvard Art Museums

Sheryl L. White, Poet, Coordinator of Visitor Engagement and Exhibitions, Arnold Arboretum of Harvard University

David George Haskell, Professor of Biology and Environmental Studies, The University of the South

This program kicks off Haiku and You: Painting Edo and the Arnold Arboretum, a virtual series of workshops that offers the opportunity to connect with art and nature and find community through haiku. We will provide writing prompts on social media to inspire exploration, then invite you to share your haiku in our online gallery. Be part of our community of writers this spring, sharing the spirit of haiku and experiencing the restorative power of art and nature.

This program will take place online via Zoom. Free admission, but registration is required. To register, please complete this online form.

For instructions on how to join a meeting in Zoom, please click here. If you have any questions, please contact am_register@harvard.edu.

Painting Edo: Japanese Art from the Feinberg Collection was made possible by the Robert H. Ellsworth Bequest to the Harvard Art Museums, the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions, the Catalogues and Exhibitions Fund for Pre-Twentieth-Century Art of the Fogg Museum, the E. Rhodes and Leona B. Carpenter Foundation, the Thierry Porté Director’s Discretionary Fund for Japanese Art, and the Japan Foundation. The accompanying print catalogues were supported by the Harvard Art Museums Mellon Publication Funds, including the Henry P. McIlhenny Fund.

Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund, Harvard University’s Edwin O. Reischauer Institute of Japanese Studies, and the Department of History of Art and Architecture Abby Aldrich Rockefeller Fund for Art and Architecture.