The New York-based Liz Gerring Dance Company debuts “Harbor,” a world premiere evening-length performance artfully combining movement, live music, and poetic illumination.
“This is engagingly here-and-now dancing; and that kinesthetic effect is something rare, even intoxicating.” —NEW YORK TIMES
The New York-based Liz Gerring Dance Company debuts “Harbor,” a world premiere evening-length performance artfully combining movement, live music, and poetic illumination. Featuring a newly commissioned string quartet by Pulitzer Prize-winning composer John Luther Adams, Gerring’s dancers are joined live onstage by the intrepid JACK
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“This is engagingly here-and-now dancing; and that kinesthetic effect is something rare, even intoxicating.” —NEW YORK TIMES
The New York-based Liz Gerring Dance Company debuts “Harbor,” a world premiere evening-length performance artfully combining movement, live music, and poetic illumination. Featuring a newly commissioned string quartet by Pulitzer Prize-winning composer John Luther Adams, Gerring’s dancers are joined live onstage by the intrepid JACK Quartet.
In Harbor, Gerring’s choreographic style–muscular athleticism combined with elegant formalism–mirrors the possibilities of the string quartet: ensemble, solos, duets, trios, with the performers’ personalities as individual as the instrumental voices. The choreography embodies the tensions and harmonies of John Luther Adam’s galvanic music. Legendary designer Jennifer Tipton’s lighting adds dramatic tension and shadow, offering light as décor, architecture, and guide. The three layered narratives—sonic, luminous, and choreographic—create a singular new work not to be missed.
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