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Clay—Modeling African Design

Presented by Harvard Art Museums at Harvard Art Museums, Cambridge MA

Ongoing

This exhibition highlights artistic innovation and creativity in Africa as seen primarily through the traditions of ceramic arts from across the continent and over its long history.

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Countering the assumption that African arts and societies are largely unchanging and bound to traditions and customs, the remarkable diversity of objects and styles on display here tells a different story. A selection of more than 50 works on loan from the Peabody Museum of Archaeology and Ethnology at Harvard University, including those by newly discovered Nigerian artist Alice Osayewe, are shown alongside works from the Harvard Art Museums permanent collections, such as contemporary ... view more »

The unique malleability and plasticity of clay, as well as its prominent use in global art contexts, make it ideal for exploring not only African art forms and aesthetics in particular, but also broader questions of design. By its very nature, clay embodies the notion of transformation, shifting from a soft to hard state in the course of firing. This material property relates directly to the many design possibilities inherent in clay. The fabric of clay also represents important values in Africa. A core feature of the earth and broadly available in nearly every environmental zone, clay is often connected with sacredness as linked to the dead and to an array of deities and earth spirits.

African languages have various terms for the concept of design. In Yoruba, ọnà means not only design, but also pattern, shape, or art. The word also connotes artistic embellishment, ornamentation, and beauty, and it gives us the Yoruba term for artist, ọlọ́nà, and for artists working in specific media, such as leather workers and embroiderers. On the east coast of Africa, Swahili speakers use the term kubuni for design; the word also references invention and improvisation, evoking the importance of imagination within the larger concept of design.

Curated by Suzanne Preston Blier, Allen Whitehill Clowes Professor of Fine Arts and of African and African American Studies, Harvard University; and Jessica Levin Martinez, Director of Academic and Public Programs and Research Curator of African Art Initiatives, Harvard Art Museums.

This exhibition was made possible by support from the William E. Teel African and Oceanic Arts Endowment Fund and the Alexander S., Robert L., and Bruce A. Beal Exhibition Fund. Associated programming was made possible by the Richard L. Menschel Endowment Fund and the M. Victor Leventritt Fund.

Previous ExhibitionJace Clayton, The Great Salt

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ADMISSION INFO

Important: Advance reservations are required.

Website: https://harvardartmuseums.org/exhibitions/5820/clay-modeling-african-design

LOCATION

Harvard Art Museums

32 Quincy Street, Cambridge, MA

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Coronavirus (COVID-19) Update

Info regarding how this event is being affected by the Coronavirus (COVID-19) crisis.:

Effective Monday, March 14, 2022 the Harvard Art Museums will no longer require visitors or staff to wear face coverings in most indoor spaces. Masks will be optional throughout most museum spaces, consistent with campus, city, state, and CDC guidelines. However, until further notice, face coverings will still be required for attendees at all events and programs in Menschel Hall, the museums’ 300-seat lecture hall and theater. The museums are committed to creating an environment in which every visitor feels equally respected, regardless of their choice to wear a face covering, and will continue to make disposable masks available for any staff member or visitor who prefers to wear one. Still in effect until further notice: • Reservations are required for all visits. Visit the Ticketing Information page to book timed tickets up to three weeks in advance. • All visitors age 12 or older must provide proof of full COVID-19 vaccination or proof of a negative COVID-19 PCR test administered within the previous 72 hours. These and other visitor policies are subject to change; please see the Visitor Policies webpage for current information Please visit our website to learn about our general policies.