Ozu himself was surprised by the grim undertone of the otherwise comedic I Was Born, But …, in which two boys must accept that their father is the office clown.
Ozu himself was surprised by the grim undertone of the otherwise comedic I Was Born, But …, in which two boys must accept that their father is the office clown. Concerns about the film’s content led Shochiku to delay its release, upon which it drew significant praise and went on to win Kinema Junpo’s prestigious first prize. It is because of the film’s harsh lesson about humor as a necessary means of survival that its jokes are so profound. Two boys (Sugawara Hideo and Tokkan Kozou) are targeted by bullies, one of whom is the son of their father’s boss. The children believe that the solution is to show the bullies who is boss; their father disagrees. When they accidentally uncover the truth of their father’s lower position in the workplace hierarchy, the children are overcome by humiliation: how can their father be a patriarchal authority at home and a groveling underling at work? Neither spankings nor a hunger strike answers the question, which reveals itself to be a learning opportunity about the difference between public and private selves, how one can at once be a subservient worker and a dignified person.
$10 / $8 seniors, Harvard staff, non-Harvard students / Harvard students free
Phone: (617) 496-3211
Email: bgravely@fas.harvard.edu
2023/06/11 - 2023/06/11
Harvard Film Archive
Harvard Film Archive Cinematheque, Cambridge, MA 02138
Although parking in Cambridge is difficult (most of the surrounding streets have restricted parking for Cambridge residents only), metered parking on Broadway and Harvard Streets, as well as the rest of Harvard Square, is free after 8pm. Film-goers are encouraged to use public transportation, particularly the MBTA Red Line.
Film has English intertitles