Raqib Shaw is an internationally renowned painter, whose work echoes across centuries and continents articulating a dialogue between East and West. Based in London, the artist lived most of his childhood in the Indian city of Srinagar, a ‘Heaven on Earth’ encircled by Himalayan mountains, lakes, and magical gardens. The Kashmir he knew as a child no longer exists, marred by political insurgencies. For Shaw, Kashmir represents a trampled Eden—a paradise lost—and references to the beauty and trauma of his childhood abound in his work.

Shaw’s paintings are flamboyant, fantastical, and extremely labor-intensive. They are puzzles that always include certain key ingredients: self-portraiture, landscapes in peril, references to historic painting, or moments from his own life. Shaw frequently depicts himself as satyr, a joker, a saint, a philosopher, or a blue-skinned divinity clad in sumptuous robes. The sensuous, glossy intensity of the jewel-like painting surface is rendered in infinite colors and shades with a painstaking technique—enamel paint, applied with porcupine quills to birch wood panels.