Becky Behar’s richly choreographed portraits and still lifes investigate motherhood, the passage of time, and what we carry through generations. Behar began photographing her three children as they became adults. The compositions reflect embellished autobiographical and fictional narratives about their transition to adulthood and Behar’s shifting identity.

With incandescent subject matter emerging from rich shadows, the photographs evoke Dutch oil paintings, replete with symbols of transience, family, and faith. Behar punctuates the portraits with still lifes that mark the contemporary, rendering plastic bags luminous amongst cherries and figs. Here, home is an idea, not a place.