As filmmaker Barbara Hammer proclaimed in 1993, “radical content deserves radical form.” Few filmmakers in South Korean history have so wholly embraced this call to action as Kaidu Club–credited as Korea’s first feminist film collective—and its founder, Han Okhi (b. 1948). During one of the most oppressive decades of South Korean politics and cinema, Kaidu Club pursued a radically feminist intervention through their spectacular experimental filmmaking. Recently, the confluence of Korean media’s global takeover and a surge in South Korean feminism have prompted film scholars and curators to recognize Han Okhi and Kaidu Club’s pioneering roles in the genealogy of South Korean women’s cinema.