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Money, mayhem, and men – see why Lee Mikeska Gardner’s production was hailed as “Gutsy… groundbreaking theater”
France, before the revolution. Two decadent, aristocratic ex-lovers conspire in drawing rooms and boudoirs, swooping down on the innocent and naïve, and playfully keeping score of their depravity with delicious ribald wit. Lee Mikeska Gardner helmed the play in Washington DC with an all-male cast. Bringing that concept to The Nora, notions of gender politics are skewed with the sexual, amoral, manipulative game envisioned through new eyes. Money, mayhem and men – see why Gardner’s
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